{"id":8841,"date":"2022-11-29T23:24:46","date_gmt":"2022-11-29T22:24:46","guid":{"rendered":"https:\/\/conservatoriodimonopoli.org\/?page_id=8841"},"modified":"2025-01-23T13:21:00","modified_gmt":"2025-01-23T12:21:00","slug":"teachers","status":"publish","type":"page","link":"https:\/\/conservatoriodimonopoli.org\/en\/teachers\/","title":{"rendered":"Teachers"},"content":{"rendered":"

<\/div><\/div>

Disciplinary area<\/h2><\/div>
<\/div><\/div><\/div><\/div>
<\/div><\/div><\/div><\/div><\/div>
<\/div>

<\/i><\/i><\/span>PIANO ACCOMPANIMENT \u2013 CODI\/25<\/span><\/a><\/h4><\/div>
\n

ONOFRIO DELLA ROSA<\/a><\/p>\n

GIOVANNA IAFFALDANO<\/p>\n

RAFFAELLA MIGAILO<\/a><\/p>\n<\/div><\/div><\/div>

<\/i><\/i><\/span>HARP \u2013 CODI\/01<\/span><\/a><\/h4><\/div>
\n

PAOLA DEVOTI<\/p>\n<\/div><\/div><\/div>

<\/i><\/i><\/span>POP-ROCK ELECTRIC BASS \u2013 COMP\/01<\/span><\/a><\/h4><\/div>
\n

MARIO GUARINI<\/a><\/p>\n<\/div><\/div><\/div>

<\/i><\/i><\/span>POP-ROCK DRUMS AND PERCUSSION \u2013 COMP\/04<\/span><\/a><\/h4><\/div>
\n

FABRIZIO LA FAUCI<\/p>\n<\/div><\/div><\/div>

<\/i><\/i><\/span>MUSIC BIBLIOGRAPHY AND LIBRARIANSHIP \u2013 CODM\/01<\/span><\/a><\/h4><\/div>
\n

MANUELA DI DONATO<\/a><\/p>\n<\/div><\/div><\/div>

<\/i><\/i><\/span>SINGING \u2013 CODI\/23<\/span><\/a><\/h4><\/div>
\n

CARMELA APOLLONIO<\/a><\/p>\n

ROSANNA MARIA CASUCCI<\/p>\n

MASSIMILIANO CHIAROLLA<\/p>\n

MARIA PIA PISCITELLI<\/a><\/p>\n<\/div><\/div><\/div>

<\/i><\/i><\/span>JAZZ SINGING \u2013 COMJ\/12<\/span><\/a><\/h4><\/div>
\n

CINZIA ERAMO<\/a><\/p>\n

SERENA FORTEBRACCIO<\/p>\n<\/div><\/div><\/div>

<\/i><\/i><\/span>POP-ROCK SINGING \u2013 COMP\/05<\/span><\/a><\/h4><\/div>
\n

GIUSEPPE DELRE<\/p>\n

RAFFAELLA MISITI<\/p>\n

KARINE MENSAH<\/p>\n<\/div><\/div><\/div>

<\/i><\/i><\/span>GUITAR \u2013 CODI\/02<\/span><\/a><\/h4><\/div>
\n

ADALISA CASTELLANETA<\/a><\/p>\n

VINCENZO GIURA<\/a><\/p>\n

DANIEL VALENTIN HELMUT MARX<\/a><\/p>\n

PAOLO MONTOMOLI<\/p>\n<\/div><\/div><\/div>

<\/i><\/i><\/span>JAZZ GUITAR \u2013 COMJ\/02<\/span><\/a><\/h4><\/div>
\n

GIAMPIERO VILLA<\/p>\n<\/div><\/div><\/div>

<\/i><\/i><\/span>POP-ROCK GUITAR \u2013 COMP\/02<\/span><\/a><\/h4><\/div>
\n

ADRIANO PRATESI MALINCONICO<\/a><\/p>\n<\/div><\/div><\/div>

<\/i><\/i><\/span>CLARINET \u2013 CODI\/09<\/span><\/a><\/h4><\/div>
\n

VITO GIAMPAOLO<\/p>\n

COSIMO LEUZZI<\/p>\n

VITO LIUZZI<\/a><\/p>\n<\/div><\/div><\/div>

<\/i><\/i><\/span>HARPSICHORD AND HISTORICAL KEYBOARDS \u2013 COMA\/15<\/span><\/a><\/h4><\/div>
\n

MARCO BISCEGLIE<\/p>\n<\/div><\/div><\/div>

<\/i><\/i><\/span>COMPOSITION \u2013 CODC\/01<\/span><\/a><\/h4><\/div>
\n

PAOLO FRADIANI<\/a><\/p>\n

MASSIMO DE LILLO<\/p>\n<\/div><\/div><\/div>

<\/i><\/i><\/span>POP-ROCK COMPOSITION AND ARRANGEMENT \u2013 CODC\/07<\/span><\/a><\/h4><\/div>
\n

MICHELE CAMPOBASSO<\/p>\n<\/div><\/div><\/div>

<\/i><\/i><\/span>JAZZ COMPOSITION \u2013 CODC\/04<\/span><\/a><\/h4><\/div>
\n

ALFONSO GIRARDO<\/p>\n<\/div><\/div><\/div>

<\/i><\/i><\/span>COMPOSITION FOR MUSIC APPLIED TO IMAGES \u2013 CODC\/02<\/span><\/a><\/h4><\/div>
\n

PAOLO VIVALDI<\/a><\/p>\n<\/div><\/div><\/div>

<\/i><\/i><\/span>DOUBLE BASS \u2013 CODI\/04<\/span><\/a><\/h4><\/div>
\n

GIUSEPPE LILLO<\/p>\n<\/div><\/div><\/div>

<\/i><\/i><\/span>HORN \u2013 CODI\/10<\/span><\/a><\/h4><\/div>
\n

MARIA ELEONORA ECCA<\/p>\n<\/div><\/div><\/div>

<\/i><\/i><\/span>MUSIC DIDACTIS<\/span><\/a><\/h4><\/div>
\n

GRAZIA SEBASTIANI (PEDAGOGIA MUSICALE<\/em>) \u2013 CODD\/04<\/p>\n

LUCA BUZZAVI (DIREZIONE DI CORO E REPERTORIO CORALE<\/em>) \u2013 CODD\/01<\/p>\n

FABRIZIO ROMANO (PRATICA DELLA LETTURA VOCALE E PIANISTICA PER DIDATTICA DELLA MUSICA) – <\/em>CODD\/05<\/p>\n

GALLIANO CILIBERTI<\/a> (STORIA DELLA MUSICA<\/em>) \u2013 CODD\/06<\/p>\n

VITO PALUMBO (ELEMENTI DI COMPOSIZIONE PER DIDATTICA<\/em>) – CODD\/02<\/p>\n<\/div><\/div><\/div>

<\/i><\/i><\/span>CHOIR CONDUCTING AND CHORAL COMPOSITION \u2013 COID\/01<\/span><\/a><\/h4><\/div>
\n

CELESTE CINZIA CANNITO<\/p>\n<\/div><\/div><\/div>

<\/i><\/i><\/span>CONDUCTING - COID\/02<\/span><\/a><\/h4><\/div>
\n

MASSIMILIANO CALDI<\/p>\n<\/div><\/div><\/div>

<\/i><\/i><\/span>ELECTROACOUSTICS - COME\/04<\/span><\/a><\/h4><\/div>
\n

PAOLO ALFREDO IAFELICE<\/p>\n<\/div><\/div><\/div>

<\/i><\/i><\/span>ORCHESTRAL EXERCISES \u2013 COMI\/02<\/span><\/a><\/h4><\/div>
\n

MICHELE NITTI<\/p>\n<\/div><\/div><\/div>

<\/i><\/i><\/span>BASSOON \u2013 CODI\/12<\/span><\/a><\/h4><\/div>
\n

MARCELLO DE GIUSEPPE<\/a><\/p>\n<\/div><\/div><\/div>

<\/i><\/i><\/span>ACCORDION \u2013 CODI\/18<\/span><\/a><\/h4><\/div>
\n

MARIAROSARIA CONVERTINO<\/p>\n<\/div><\/div><\/div>

<\/i><\/i><\/span>FLUTE \u2013 CODI\/13<\/span><\/a><\/h4><\/div>
\n

FRANCESCA SALVEMINI<\/a><\/p>\n

GIORGIA SANTORO<\/p>\n<\/div><\/div><\/div>

<\/i><\/i><\/span>MUSICAL COMPUTING \u2013 COME\/05<\/span><\/a><\/h4><\/div>
\n

SILVIO RELANDINI<\/p>\n<\/div><\/div><\/div>

<\/i><\/i><\/span>SCORE READING \u2013 COTP\/02<\/span><\/a><\/h4><\/div>
\n

LUISELLA CHIARINI<\/p>\n

CHRISTIAN UGENTI<\/p>\n<\/div><\/div><\/div>

<\/i><\/i><\/span>COMMUNITY FOREIGN LANGUAGE \u2013 CODL\/02<\/span><\/a><\/h4><\/div>
\n

docente da nominare<\/em><\/p>\n<\/div><\/div><\/div>

<\/i><\/i><\/span>ENSEMBLE MUSIC FOR WIND INSTRUMENTS \u2013 COMI\/04<\/span><\/a><\/h4><\/div>
\n

NICOLA GIULIANI<\/a><\/p>\n<\/div><\/div><\/div>

<\/i><\/i><\/span>ENSEMBLE MUSIC FOR STRING INSTRUMENTS \u2013 COMI\/05<\/span><\/a><\/h4><\/div>
\n

GIULIANA ZITO<\/p>\n<\/div><\/div><\/div>

<\/i><\/i><\/span>ENSEMBLE MUSIC POP-ROCK \u2013 COMI\/09<\/span><\/a><\/h4><\/div>
\n

MASSIMO DE DOMENICO<\/p>\n<\/div><\/div><\/div>

<\/i><\/i><\/span>CHAMBER MUSIC \u2013 COMI\/03<\/span><\/a><\/h4><\/div>
\n

DOMENICO DI LEO<\/a><\/p>\n

SIMONE GRAMAGLIA<\/p>\n

LEILA SHIRVANI<\/a><\/p>\n

LJUDMILA VALENT<\/p>\n<\/div><\/div><\/div>

<\/i><\/i><\/span>VOCAL CHAMBER MUSIC \u2013 CODI\/24<\/span><\/a><\/h4><\/div>
\n

NICOLA VITO SETTE<\/p>\n<\/div><\/div><\/div>

<\/i><\/i><\/span>OBOE \u2013 CODI\/14<\/span><\/a><\/h4><\/div>
\n

ARTURO ARMELLINO<\/a><\/p>\n<\/div><\/div><\/div>

<\/i><\/i><\/span>ORGAN \u2013 CODI\/19<\/span><\/a><\/h4><\/div>
\n

MARGHERITA SCIDDURLO<\/p>\n

GRAZIANO SEMERARO<\/a><\/p>\n

DOMENICO TAGLIENTE<\/a><\/p>\n<\/div><\/div><\/div>

<\/i><\/i><\/span>PIANO \u2013 CODI\/21<\/span><\/a><\/h4><\/div>
\n

SERGIO BAIETTA<\/p>\n

ROBERTO BOLLEA<\/p>\n

MIRCO MICHELE CECI<\/p>\n

GIULIO DE IUDICIBUS<\/p>\n

NUNZIO DELLO IACOVO<\/p>\n

CARLO GALLO<\/p>\n

FEDERICO GIANELLO<\/p>\n

WILLIAM GRECO<\/p>\n

MARCO GRIECO<\/p>\n

VIVIANA PIA LASARACINA<\/p>\n

FLAVIO MANGANARO<\/p>\n

ENRICO POMPILI<\/p>\n

STEFANIA SANTANGELO<\/p>\n

PAOLO SCAFARELLA<\/p>\n<\/div><\/div><\/div>

<\/i><\/i><\/span>POETRY FOR MUSIC AND MUSICAL DRAMATURGY \u2013 CODM\/07<\/span><\/a><\/h4><\/div>
\n

docente da nominare<\/p>\n<\/div><\/div><\/div>

<\/i><\/i><\/span>JAZZ PIANO \u2013 COMJ\/09<\/span><\/a><\/h4><\/div>
\n

ALESSANDRO ALTAROCCA<\/p>\n<\/div><\/div><\/div>

<\/i><\/i><\/span>JAZZ DRUMMING \u2013 COMJ\/11<\/span><\/a><\/h4><\/div>
\n

docente da nominare<\/p>\n<\/div><\/div><\/div>

<\/i><\/i><\/span>POP-ROCK PIANO \u2013 COMP\/03<\/span><\/a><\/h4><\/div>
\n

ANGELO ABATE<\/p>\n<\/div><\/div><\/div>

<\/i><\/i><\/span>PIANO PRACTICE AND READING - COTP\/03<\/span><\/a><\/h4><\/div>
\n

CECILIA AIRAGHI<\/p>\n

OLIVIA AMICI<\/p>\n

BENEDETTO BOCCUZZI<\/p>\n

PATRIZIA GIANNOTTE<\/a><\/p>\n

DONATA MARTINO<\/p>\n

GIOVANNI MINUTELLO<\/a><\/p>\n

ETTORE PAPADIA<\/p>\n

PIERO ROTOLO<\/a><\/p>\n

\u00a0<\/em><\/p>\n<\/div><\/div><\/div>

<\/i><\/i><\/span>SAXOPHONE \u2013 CODI\/15<\/span><\/a><\/h4><\/div>
\n

FABRIZIO BOSI<\/p>\n

ALESSANDRO MALAGNINO<\/p>\n

DANILO RUSSO<\/p>\n<\/div><\/div><\/div>

<\/i><\/i><\/span>HISTORY OF JAZZ, IMPROVISED AND AUDIO-TACTILE MUSICS \u2013 CODM\/06<\/span><\/a><\/h4><\/div>
\n

EMANUELE RAGANATO<\/p>\n<\/div><\/div><\/div>

<\/i><\/i><\/span>HISTORY OF MUSIC \u2013 CODM\/04<\/span><\/a><\/h4><\/div>
\n

SALVATORE ESPOSITO FERRAIOLI<\/p>\n

MATTEO SUMMA<\/a><\/p>\n<\/div><\/div><\/div>

<\/i><\/i><\/span>INSTRUMENTATION AND COMPOSITION FOR WIND ORCHESTRA \u2013 CODC\/06<\/span><\/a><\/h4><\/div>
\n

FEDERICO AGNELLO<\/p>\n<\/div><\/div><\/div>

<\/i><\/i><\/span>PERCUSSION INSTRUMENTS \u2013 CODI\/22<\/span><\/a><\/h4><\/div>
\n

STEFANO BALDONI<\/p>\n

TOMMASO COTRUFO<\/p>\n

VINCENZO MAZZONE<\/p>\n<\/div><\/div><\/div>

<\/i><\/i><\/span>ELECTRONIC KEYBOARDS \u2013 COMJ\/10<\/span><\/a><\/h4><\/div>
\n

ROSSANO BALDINI<\/p>\n<\/div><\/div><\/div>

<\/i><\/i><\/span>MUSIC IMPROVISATION TECHNIQUES - COMI\/08<\/span><\/a><\/h4><\/div>
\n

FRANCESCO ANGIULI<\/a><\/p>\n<\/div><\/div><\/div>

<\/i><\/i><\/span>HARMONY THEORY AND ANALYSIS \u2013 COTP\/01<\/span><\/a><\/h4><\/div>
\n

ROCCO DE CIA<\/p>\n

CARLO ELIA PRADERIO<\/p>\n

DOMENICO TURI<\/p>\n

\u00a0<\/em><\/p>\n<\/div><\/div><\/div>

<\/i><\/i><\/span>THEORY AND TECHNIQUE OF STAGE PERFORMANCE \u2013 CORS\/01<\/span><\/a><\/h4><\/div>
\n

GERARDO SPINELLI<\/p>\n<\/div><\/div><\/div>

<\/i><\/i><\/span>MUSIC THEORY, RHYTHM AND PERCEPTION \u2013 COTP\/06<\/span><\/a><\/h4><\/div>
\n

ROSA RITA CARRIERI<\/p>\n

LEONARDO FURLEO SEMERARO<\/p>\n

FLAVIO DANILO MADDONNI<\/p>\n

DANIELA NASTI<\/p>\n

MONICA NASTI<\/p>\n

FEDELE ORCIUOLO<\/p>\n

GIOVANNA PIA ROSARIA PACIERI<\/p>\n

LUCA PALLADINO<\/a><\/p>\n

TERESA SATALINO<\/p>\n

MARIA ELENA VERZELLINO<\/p>\n<\/div><\/div><\/div>

<\/i><\/i><\/span>TRUMPET \u2013 CODI\/16<\/span><\/a><\/h4><\/div>
\n

LEONARDO LOZUPONE<\/p>\n

PACIFICO TAFURO<\/a><\/p>\n<\/div><\/div><\/div>

<\/i><\/i><\/span>TROMBONE \u2013 CODI\/17<\/span><\/a><\/h4><\/div>
\n

GIUSEPPE CARBONARA<\/a><\/p>\n

GIUSEPPE GUIDA<\/p>\n<\/div><\/div><\/div>

<\/i><\/i><\/span>VIOLA \u2013 CODI\/05<\/span><\/a><\/h4><\/div>
\n

MARCO MISCIAGNA<\/a><\/p>\n<\/div><\/div><\/div>

<\/i><\/i><\/span>VIOLIN \u2013 CODI\/06<\/span><\/a><\/h4><\/div>
\n

GABRIELE CECI<\/p>\n

RITA PAGLIONICO<\/p>\n

PIERLUIGI PIETRONIRO<\/p>\n

GERMANA PORCU MORANO<\/p>\n<\/div><\/div><\/div>

<\/i><\/i><\/span>CELLO \u2013 CODI\/07<\/span><\/a><\/h4><\/div>
\n

FRANCESCO PARENTE<\/p>\n

GAETANO SIMONE<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":8006,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"100-width.php","meta":{"footnotes":""},"class_list":["post-8841","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/conservatoriodimonopoli.org\/en\/wp-json\/wp\/v2\/pages\/8841","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/conservatoriodimonopoli.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/conservatoriodimonopoli.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/conservatoriodimonopoli.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/conservatoriodimonopoli.org\/en\/wp-json\/wp\/v2\/comments?post=8841"}],"version-history":[{"count":0,"href":"https:\/\/conservatoriodimonopoli.org\/en\/wp-json\/wp\/v2\/pages\/8841\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/conservatoriodimonopoli.org\/en\/wp-json\/wp\/v2\/media\/8006"}],"wp:attachment":[{"href":"https:\/\/conservatoriodimonopoli.org\/en\/wp-json\/wp\/v2\/media?parent=8841"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}